∙ In 2004, Jarrett received Denmark’s esteemed Léonie Sonning Music Prize, which typically goes to classical artists and had previously been given to only one other jazz musician-Miles Davis. ∙ During the late ’80s and early ’90s, he returned to classical music, interpreting works by Bach, Handel, and Mozart. ∙ In 1983, Jarrett formed a standards trio with bassist Gary Peacock and drummer Jack DeJohnette, with whom he spent the next 30 years successfully touring and recording. ∙ He was an early champion of improvised solo concerts, and 1975’s The Köln Concert-on which he famously performed with a substandard piano-is the best-selling solo piano recording of all time. ∙ Before he was fully established as a solo artist and bandleader, he played in groups headed up by jazz greats Miles Davis, Art Blakey, and Charles Lloyd. Jazz pianist Keith Jarrett fell in love with the genre as a teenager and famously passed on his opportunity to study classical composition in Paris with world-renowned teacher Nadia Boulanger. In the words of Eicher, the recording marks “a truly electrifying encounter between the most unconventional stylists and protagonists of contemporary classical music and jazz.” 'Radiance, Part XVI,' a beautiful piano improvisation by the renowned musician Keith Jarrett, is a shining jewel from his album 'Radiance,' recorded live in. The double concerto "Tabula Rasa" is both mathematically precise and profoundly moving, with Kremer and fellow violinist Tatjana Grindenko developing exquisite melodic patterns over Alfred Schnittke's prepared piano and a subtle-yet thunderously powerful-string chamber orchestra. The sorrowful "Cantus in Memory of Benjamin Britten” is set against the distant tolling bells their ghostly, nautical sound bidding a somber farewell to the British composer known for his love of the sea. Combining the stark beauty of early music with contemporary minimalism, the recording brings "Fratres" in two forms-a haunting piano and violin duet performed by Keith Jarrett and Gidon Kremer and a swirling arrangement played by 12 Cellists of the Berlin Philharmonic. Pärt found a broad audience with this groundbreaking 1984 release, which was overseen by visionary classical and jazz producer Manfred Eicher and released on the newly formed ECM New Series label. Inspired by Gregorian chant, Renaissance polyphony, and plainsong, the so-called “mystic minimalism” of Estonian composer Arvo Pärt forever changed the landscape of contemporary classical music.
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